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January 24, 2008

The Architect

 

Now how did I miss this movie?

The Architect, set in Chicago and released in 2006, starred Anthony LaPaglia as suburban Chicago architect Leo Waters whose work includes a public housing project that an activist wants demolished. According to a description of the movie, "as part of her ongoing campaign to have the projects torn down and decent housing built in its place, [actvist] Tonya [Neely] decides that the one signature she needs more than any other on her petition is that of the projects' original architect, Leo Waters."

This clip makes the movie look quite compelling. 


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August 14, 2007

Medium Cool Chicago

 

 

(above photo by Lee Bey)

I just watched Haskell Wexler's "Medium Cool," a 1969 movie filmed in Chicago. Some of the camerawork is inspired, such as a the opening credits which feature a motorcycle courier gliding through Chicago as an ominous score by Paul Butterfield plays. And as always, it's a kick seeing bits and pieces of mid-century Chicago; at once clunky and streamlined. Aged and new.

The building above, 400 E Randolph, makes a few appearances in the movie and it's not hard to figure out why. At the time, the new building was among Chicago most visible and prominent structures---the dome in the above photo once sat right by Lake Shore Drive before the roadway was rerouted in the 1980s. That and Jerrold Wexler, Haskell's brother, was the developer. The dome houses a pool area.

 

Above: The dome looms as Robert Forster, a blonde and Peter Bonerz walk across a surface parking lot that no longer exists

Above: Robert Forster and Peter Bonerz go inside the dome--dig the pool--for an interview. 

"Medium Cool" is a great piece of filmmaking, by the way....imbued with a kind of angry, ballsy nihilism that would be test-audienced away by movie studios today. When the film's protagonists find themselves caught-up in the protests and cop riots of the 1968 Democratic National Convention, it's not staged. Wexler actually puts them--his heroine in particular--in the middle of the real thing.

OH! One more thing. My mentor, journalism professor and second father, Les Brownlee, appears in a key scene early in the film. Les died two years ago so it was a blast seeing him on screen. His sililoquy on the news media and the role of the viewer anchors a brilliantly adlibbed scene--and shows why I found him so fascinating.


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June 26, 2007

When Hollywood Came to Woodlawn: 1976

It still feels funny to drive down east 63rd Street between Stony Island and Cottage Grove in the Woodlawn neighborhood and see virutally nothing. Coming up in the 1970s, I remember when that stretch of 63rd was a dense near-mile of shops, a theater, bank buildings, offices, a grocery store, and restaurants topped by a roaring elevated train. In the 1970s, my oldest sister, Claudette, worked at the two Vito's Grocery stores on 63rd. My father bought his steel-toed Hi-Test workboots from a shoe store there.

Much of the street and the EL was demolished about 15 years now. Since then, east 63rd has been an urban prairie largely, with new middle-class housing coming in and inching its way westward.

But I don't want to be too nostalgic about this thing. The once-mighty 63rd Street was one of the saddest commercial strips in Chicago by the time it was demolished. It was disappearing via neglect. Stores were vacant and prone to fires. I once saw a half-block burn in 1989 one night when I was a City News Bureau reporter. So help me, the other half burned a week later.

But all of that is but pretext. Today I present scenes of a film from my youth, The Monkey Hustle--a title that would not pass muster today--from 1976. The plot is immaterial: a light, post-Uptown Saturday Night comedy with African American characters running rinky-dink hustles and street scams on each other. The inaugural scam involves the swiping of a carton of Wanser's milk. Truffaut, this ain't. There is a subplot involving the Crosstown Expressway, so give the filmmakers some credit. And I'm not saying this movie is a bomb, but I think the ATF found a spool of wire and two copies of The Monkey Hustle underneath the floorboards in Lefty Rosenthal's car in Vegas back in 1983...

Where was I? Oh yes...The Monkey Hustle was filmed in Woodlawn and watching it now is like opening a time capsule of the neighborhood. A lot of the action takes place on old 63rd Street. In the scene above, a neighborhood activists office looks out on the South East Bank building at 63rd and Drexel, if memory serves. You can catch a bit of the Jackson Park el in the background.

In this scene below, The Woodlawn Organization's (T.W.O) old HQ is clearly visible. The latticework of the now-departed Jackson Park el runs overhead.

Below: A Queen Anne styled station on the old Jackson Park line. (The line was built for the Columbian Exposition), a pretty mean pair of Afros and a glimpse of Harold's Chicken Shack #7. None of this exists today. I bet the red Ford Granada was the first to go, though.

 

Below: Another view of 63rd, looking southwest, if I recall. Look at  the big shop windows on the York Clothes Store. And to the right is Kham & Nate's Shoes an African American-owned business, now defunct, to the right. They used to have a location at 87th and Cottage Grove, but that's another story.

Below: Outside of Woodlawn, the movie shows us the old LaSalle Street Metra Station, which was demolished in the 1980s. The scene on the right shows the base of the Tribune Tower and the grid-faced Equitable Building as Yaphet Kotto and Kirk Calloway (who was quite good in Cinderella Liberty) join forces to chase down the people who convinced them to appear in this movie.
 


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June 03, 2007

The Architecture of "Crime Story"

 crimestory

I've been hooked on DVDs of "Crime Story," a drama that aired two seasons on NBC beginning in 1986. Set in early 1960s Chicago for most of its first year, the show tracked the exploits of the Chicago Police Major Crimes Unit and its commander, Lt. Mike Torello (played by Dennis Farina, a former Chicago cop in one of his best roles) as they try to capture hood-on-the-rise Ray Luca (played by Anthony Denison). It was a dark, brooding and violent show produced by director Michael Mann, a Chicago native whose better-known work, "Miami Vice" had made him a household name by then. Watch it now and it's alomst a dress rehearsal for the motion pictures "Goodfellas" and "Casino." And John Santucci's oafish but dangerous Pauli Taglia character in "Crime Story" is almost Version 1 of Paulie Walnuts on "The Sopranos." Most important for today's discussion: "Crime Story" made good use of Chicago locales and architecture. In the first scene of the pilot, the Major Crimes Unit men are awaiting a meal at Janson's, at 99th and Western when a call comes in. Torello, the tough cop, lived in Mies van der Rohe's 860-880 N. Lake Shore Drive. There, he puts on a robe that has Mondrian's Composition with Red, Blue and Yellow as a design. I still want one of those. In another episode, the two Outfit guys--we don't call it "the Mafia" in Chicago---shove a character through the window of his Marina City apartment. The show's wounded are taken to St. Joseph Hospital, the darn-near Googie medical center at 2900 N. Lake Shore Drive. Later in the first season, it looks as if Torello has moved to the Mies-designed Commonwealth Promenade Apartments. The show's credits feature a shot of Torello and his men outside of Superdawg on Milwaukee and Devon. And mob boss Phil Bartoli lives in a circular modern house on Dee Road in Park Ridge. That's Bartoli (played by Jon Polito) on the left, sitting in the living room of the house with Johnny O'Donnell (played by a very young and scene-stealing David Caruso) and Denison's Ray Luca. The show is worth a look. A warning: Stay away from the utterly poor and directionless second season which wasn't filmed in Chicago anyway.


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