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Ida B...Gone

(photos by Lee Bey) 

The bulldozer is pushing aside the Ida B. Wells housing project at Pershing & King Drive.

Wells will be replaced seamlessly--completely--by a shiny, new mixed-income neighborhood. And there will be little trace of what (and dare I say who) had been there before.

I'll leave it to the eloquent public housing residents and activists to debate the merits or demerits of the Chicago Housing Authority's Plan for Transformation. I'm too tired. I'm too mad. Too fed up. The killing at Crane High School, followed by a fatal weekend shooting at Simeon, on top of all kinds of violence happening in many of the neighborhoods chronicled here has angered the Urban Observer.

As I took these photos, groups of young men to the north of me--young brothers not unlike me as I grew up in the Avalon Park neighborhood in the 1970s and early 1980s--were engaged in trades of the underground economy.

"That's all you can do," I thought as I watched them. "They are getting rid of you, and you don't even have sense enough to figure it out."

Or maybe they have figured it out, but are helpless to do anything about it. A lifetime of rotten schools, stifled chances, and ill-kept public housing has left many of these young men with the only trade they can practice. They found a semi-skilled job that can't be outsourced or right-sized away. They work for a company that can't up and move its operations to India, China or the Sunbelt. The rest of us should be so lucky.

Yet I confess: My gut tells me that these are not reasons, but excuses--a sweet poison that tastes so good going down, but has devastating results. Black people have always had a tough time in this country. But our ancestors fought--often at extraordinary risk to their lives--to learn, to create, to advance, to build. Not just the people who make the history books, either. There is hardly a black person I've talked to over the decades who didn't have at least one family member who actively risked what he or she had in order to move up the ladder just a little bit more.

And then I think about the act of power, courage and protest that created black urban America in the first place: millions of southern African Americans who got tired of the defacto slavery conditions in the Jim Crow South and moved north to find jobs and opportunities. Along the way, they changed for the better the social and political landscape of this country and fought for freedoms that all Americans enjoy. But I wonder what they would say if they could see so many of their grandchildren and great grandchildren investing in 20" rims, rather than real estate; and fighting and dying over Buck 50 hats rather than equality, jobs and justice.

I know, I know. All black folks don't live this way. Black people today by-and-large are better-educated and financially better off than in previous years. But drive around some of the black neighborhoods in Chicago--better still, pay attention in a few months as we experience what my cop friends tell me could be a bloodier-than-normal summer--and tell me if there aren't also more people who are lost, left behind and dying.

It's time for a movement. Not a protest. Not another march. But a movement...

Heck, I want to say more, but I'll stop. I've run far afield from architecture today (and you thought last week's post on the 1990s Jeremy Piven TV show "Cupid" was off topic...) so I'll cut bait and get back to the photos...

 

And we conclude with this church at 36th and Vincennes within the old Ida B. Wells campus. Built in 1880, the long-vacant edifice is the former Sixth Presbyterian Church. The facade is made of Lemont stone with Columbia sandstone details. The corner stone was set in 1879 and, according to the Chicago Tribune archives, its contents include a time capsule with a Bible, Gospel Hymn #8, list of church officers and copies of the Chicago Tribune, the Chicago Times and the Chicago Inter-Ocean newspapers.

 

 

 

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Comments

Great post! You want to say more. Then I want to hear it.

Pictures of architecture, anyhow, are not just about architecture. The good ones tell stories. Or they serve to llustrate stories, like the one you started to tell.

So in my view, you haven't run far afield of architecture at all.

Permit me a small anecdote: I was with my friend once, architctural historian Allen Brooks.

We stood in front of the River Forest public library one day after school let out. We stood there for almost an hour, him poised with his camera waiting to get a shot of the building with no people in the way to "ruin the architecture and the scale of the building".

He was a good mentor to me, so I shyly disagreed with him, and don't think I changed his mind.

He never did get his shot.

Now several years later, my most requested photo has been one I took of the entrance of Braeside School with kids playing on the steps.

My goal too was to document the structure and get a shot of this detail without anyone in it, but I got tired of waiting and just took it anyways. I was also annoyed because part of the tree above was in the way.

http://www.re-building.com/johnvanbergen/brae2.jpg

Despite myself I got a better shot than I intended (or deseved), and I learned a lot from it. The kids give it scale and meaning that, without which it would be sterile and meaningless.

You know this - buildings are not about "architecture", but the people who inhabit them.

I wish I had a story to go with mine, with as much to say as you can with your photos. AND commentary.

Do you know what I mean?

Hey Marty. I do know what you mean. Thanks!

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